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- World War II Poster, "Yessir! Rick We'll Make Willow Run Hitler's Headache!," circa 1943 - The people of Ford Motor Company's Willow Run plant felt -- justifiably -- that their efforts were crucial to Allied victory in World War II. The B-24 Liberator airplanes they built formed the backbone of the Allies' strategic bombing campaign against Germany. Posters like this reinforced the idea that the harder Willow Run's employees worked, the weaker the enemy became.
- circa 1943
- Collections - Artifact
World War II Poster, "Yessir! Rick We'll Make Willow Run Hitler's Headache!," circa 1943
The people of Ford Motor Company's Willow Run plant felt -- justifiably -- that their efforts were crucial to Allied victory in World War II. The B-24 Liberator airplanes they built formed the backbone of the Allies' strategic bombing campaign against Germany. Posters like this reinforced the idea that the harder Willow Run's employees worked, the weaker the enemy became.
- "You Shoot at Yourself, America" Screen Print by Corita Kent, 1968 -
- 1968
- Collections - Artifact
"You Shoot at Yourself, America" Screen Print by Corita Kent, 1968
- Advertising Poster, "Lilith Fair," 1998 - Singer Sarah McLachlan was frustrated by concert promoters and radio stations that had long refused to feature two female musicians in a row. McLachlan took action, organizing a concert tour and traveling music festival called Lilith Fair. Featuring only female artists and female-led bands--including well-known performers and emerging artists--the hugely successful Lilith Fair took place the summers of 1997 through 1999.
- 1998
- Collections - Artifact
Advertising Poster, "Lilith Fair," 1998
Singer Sarah McLachlan was frustrated by concert promoters and radio stations that had long refused to feature two female musicians in a row. McLachlan took action, organizing a concert tour and traveling music festival called Lilith Fair. Featuring only female artists and female-led bands--including well-known performers and emerging artists--the hugely successful Lilith Fair took place the summers of 1997 through 1999.
- Self Portrait by Lillian F. Schwartz, circa 1979 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- circa 1979
- Collections - Artifact
Self Portrait by Lillian F. Schwartz, circa 1979
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- "Head" by Lillian F. Schwartz with Kenneth C. Knowlton, 1969 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1969
- Collections - Artifact
"Head" by Lillian F. Schwartz with Kenneth C. Knowlton, 1969
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Print, Used at the Contemporary Resort Hotel at Walt Disney World, circa 1973 - Mary Blair was the artist for this silkscreen print, used in a guest room at Disney's Contemporary Resort, Walt Disney World. It was adapted from a massive tile mural she had created for this resort's central atrium. Mary's depictions of Native Americans might be criticized as racial stereotyping, but at the time they were thought to exude a sense of playful exuberance.
- circa 1973
- Collections - Artifact
Print, Used at the Contemporary Resort Hotel at Walt Disney World, circa 1973
Mary Blair was the artist for this silkscreen print, used in a guest room at Disney's Contemporary Resort, Walt Disney World. It was adapted from a massive tile mural she had created for this resort's central atrium. Mary's depictions of Native Americans might be criticized as racial stereotyping, but at the time they were thought to exude a sense of playful exuberance.
- "We are Not Protesters. We are Protectors...," February 2023 -
- February 01, 2023
- Collections - Artifact
"We are Not Protesters. We are Protectors...," February 2023
- "#NODAPL," December 2016 -
- December 01, 2016
- Collections - Artifact
"#NODAPL," December 2016
- "Enigma 5" by Lillian F. Schwartz with Kenneth C. Knowlton, 1974 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1974
- Collections - Artifact
"Enigma 5" by Lillian F. Schwartz with Kenneth C. Knowlton, 1974
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- "The Machine as Seen at the End of the Mechanical Age" Poster, 1968 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1968
- Collections - Artifact
"The Machine as Seen at the End of the Mechanical Age" Poster, 1968
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.